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Windham (38b) from the Sacred Harp, showing the four-shape notation and the traditional oblong layout. Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South.
Additionally, Eriksen is a collector of variations of folk songs, and has conducted extensive research on traditional Yugoslavian music. [2] [6] Eriksen shared his extensive knowledge of folk music while a consultant for the soundtrack of the film Cold Mountain. [1] [2] In 2011, Eriksen taught a class on the history of the Sacred Harp at Smith ...
The song "Idumea" is an example of Sacred Harp music, also known as shape note because the notes printed on the sheet music bear shapes, such as squares and triangles, to show changes in pitch. [4] After rehearsing with the Sacred Harp singers in a studio, Burnett decided that the style was best heard in Liberty Baptist Church in Henagar ...
They would collect at camp meetings and spend considerable time singing these hymns. The shape notes were an eight-note system used as an easy way to teach people melodies and harmonies for singing sacred music. After 1867, the Convention adopted a policy of using other song books. It gradually had less influence in the history of Sacred Harp.
The music of The Sacred Harp is eclectic in origin, and can be roughly grouped into the following categories of songs (listed chronologically). In the examples listed below, songs are identified by the page number in the two most prominent modern versions of The Sacred Harp; the so-called "Denson edition" and the "Cooper edition". Thus, "D,C 49 ...
Richard Lee DeLong (February 28, 1963 – May 13, 2020 [1]) was a leading figure in contemporary Sacred Harp singing. He taught frequently in singing schools and served as the youngest member of the editorial board that created the 1991 Revision of The Sacred Harp, the most widely used book for Sacred Harp singing.
In just two years, J. L. White made three attempts to revise the Sacred Harp in a manner that would satisfy Sacred Harp singers. With the exception of the added gospel songs in close harmony, this 1911 "White Book" is the most traditional of the three early 20th century revisions of the Sacred Harp, reprinting the 1870 book almost "verbatim ...
In 1850, he issued a second edition of The Sacred Harp, adding 97 songs and 103 pages. With the 1850 and future editions, White was assisted by a musical committee appointed by the Southern Musical Convention. In 1859, a third edition of The Sacred Harp was released, adding 74 more songs on 63 pages. A fourth edition came out in 1869.