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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Thousands of full-length films were produced during the decade of the 1940s. The actor Humphrey Bogart made his most renowned films in this decade. Frank Capra's It's a Wonderful Life and Orson Welles's Citizen Kane were released. Citizen Kane made use of matte paintings, miniatures and optical printing techniques. [1] The film noir genre was ...
Crime drama [40] Ride the Pink Horse: Robert Montgomery: Robert Montgomery, Wanda Hendrix, Rita Conde: United States [41] T-Men: Anthony Mann: Dennis O'Keefe, Mary Meade, Charles McGraw: United States [42] They Won't Believe Me: Irving Pichel: Robert Young, Susan Hayward, Rita Johnson: United States [43] The Web: Michael Gordon: Vincent Price ...
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Shakedown is a 1950 American crime film noir directed by Joseph Pevney and starring Howard Duff, Brian Donlevy, Peggy Dow, Lawrence Tierney, Bruce Bennett and Anne Vernon. [ 1 ] Plot
Framed remains a thrilling example of 1940s film noir at its best: economically told, atmospherically photographed (at, among other places, Lake Arrowhead) and more than competently acted. Carter, especially, is a revelation and it is too bad that she was mostly used by Columbia Pictures for decorative purposes, a sort of second-tier Rita ...
The movie now widely described as the first classic film noir—Stranger on the Third Floor (1940), a 64-minute B—was produced at RKO, which would release many melodramatic thrillers in a similarly stylish vein during the decade. The other major studios also turned out a considerable number of movies now identified as noir during the 1940s.
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