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The vocabulary includes words used in science fiction books, TV and film. A second category rises from discussion and criticism of science fiction, and a third category comes from the subculture of fandom. It describes itself as "the first historical dictionary devoted to science fiction", tracing how science fiction terms have developed over time.
Do not use articles (a, an, or the) as the first word (Economy of the Second Empire, not The economy of the Second Empire), unless it is an inseparable part of a name (The Hague) or of the title of a work (A Clockwork Orange, The Simpsons). Normally use nouns or noun phrases: Early life, not In early life. [f]
Information drawn directly from a work as a primary source should represent how the work is presented to a typical reader or viewer, avoiding reliance on details that demand a meticulous word-by-word or frame-by-frame analysis beyond the standard experience of reading or watching.
Science fiction genre – while science fiction is a genre of fiction, a science fiction genre is a subgenre within science fiction. Science fiction may be divided along any number of overlapping axes. Gary K. Wolfe's Critical Terms for Science Fiction and Fantasy identifies over 30 subdivisions of science fiction, not including science fantasy ...
The co-editor of the science fiction journal Extrapolation and a professor of English at the University of Georgia, Isaiah Lavender III, notes the usefulness of the dictionary for academic analysis of issues, saying "Having these origin dates in mind can help a student or scholar build a framework to analyze something like the concept of the ...
Experimental literature is a genre of literature that is generally "difficult to define with any sort of precision." [1] It experiments with the conventions of literature, including boundaries of genres and styles; for example, it can be written in the form of prose narratives or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in ...
Linguistics has an intrinsic connection to science fiction stories given the nature of the genre and its frequent use of alien settings and cultures. As mentioned in Aliens and Linguists: Language Study and Science Fiction [1] by Walter E. Meyers, science fiction is almost always concerned with the idea of communication, [2] such as communication with aliens and machines, or communication ...
Science-Fiction Handbook, subtitled The Writing of Imaginative Fiction, is a guide to writing and marketing science fiction and fantasy by L. Sprague de Camp, "one of the earliest books about modern sf." [1] The original edition was published in hardcover by Hermitage House in 1953 as a volume in its Professional Writers Library series.