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A beater or batten, is a weaving tool designed to push the weft yarn securely into place. In small hand weaving such as Inkle weaving and tablet weaving the beater may be combined with the shuttle into a single tool. In rigid heddle looms the beater is combined with the heddles.
Kate Smith has documented the school's process of setting up a 4-post barn loom in the manual Warping & Dressing the Early Hand Loom. [7] The school also promotes an online "Early Hand North American Handloom Survey" to gather information about the "style, construction, and features" of the textile technology of this period.
The shed, the triangular aperture on the far right, shown from the back of a table loom Passing the shuttle through the shed The shed shown in tablet weaving. In weaving, the shed is the temporary separation between upper and lower warp yarns through which the weft is woven. The shed is created to make it easy to interlace the weft into the ...
Inkle weaving is a type of warp-faced weaving where the shed is created by manually raising or lowering the warp yarns, some of which are held in place by fixed heddles. According to the Oxford English Dictionary, the term inkle has several meanings, the first of which is "A kind of linen tape, formerly much used for various purposes."
Three heddle-rods for weaving twill. The warp-weighted loom is a simple and ancient form of loom in which the warp yarns hang freely from a bar, which is supported by upright poles which can be placed at a convenient slant against a wall. Bundles of warp threads are tied to hanging weights called loom weights which keep the threads taut. [1]
Weaving on a floor loom, using a beater that swings, suspended on a heavy wood frame. A reed is part of a weaving loom, and resembles a comb or a frame with many vertical slits. [1] It is used to separate and space the warp threads, to guide the shuttle's motion across the loom, and to push the weft threads into place.
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To use a temple, the length is first adjusted so that it matches the total width (or spread) of warp threads in the reed. The prongs are then inserted into the fabric, on each side, at the very edges of the cloth. The temple must be moved frequently to keep it close to the fell of the fabric, where the weaving is taking place. [2]