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D eath can both tear family members apart and bind them closer—often simultaneously. That’s the mysterious dynamic writer-director Azazel Jacobs mines in His Three Daughters, a story of three ...
4/5 Elizabeth Olsen and Carrie Coon also star as two of a trio of troubled sisters who come together in preparation for their father’s death, in this moving Netflix film
Each woman could not be more different: Katie, who still lives nearby in Brooklyn, is controlling to the point that she's driving away her own teen daughter; Grateful Dead-loving Christina has a ...
The National Board of Review listed His Three Daughters was one of the ten best independent films of 2024. [11] NPR included the film on its list of the best movies and TV of 2024, with critic Linda Holmes writing that it "plays close attention to the roles of guilt and obligation, as well as the blessing of simply being present for people."
Azazel Jacobs (born September 27, 1972) [1] is an American film director and screenwriter. He is the son of experimental filmmaker Ken Jacobs. [2] [3] His short films include Kirk and Kerry (1997) and Message Machine (2002), and his features include well reviewed The GoodTimesKid (2005), Momma's Man (2008), Terri (2011), The Lovers (2017), French Exit (2020), and His Three Daughters (2023).
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
As grieving sisters, Carrie Coon, Elizabeth Olsen and Natasha Lyonne tangle while coming to terms with their father's death.
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.