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The popularity of French music in the rest of Europe declined slightly, yet the popular chanson and the old motet were further developed during this time. The epicenter of French music moved from Paris to Burgundy, as it followed the Burgundian School of composers. During the Baroque period, music was simplified and restricted due to Calvinist ...
Music for a French Elevator and Other Short Format Oddities by The Books (often referred to as simply Music for a French Elevator) is a 2006 release by the Books.It is a compendium on mini CD of four pieces created for the "1%" art and sound installation in the Ministry of Culture in Paris, France in 2004.
French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
France has the reputation of being a "literary culture", [84] and this image is reinforced by such things as the importance of French literature in the French educational system, the attention paid by the French media to French book fairs and book prizes (like the Prix Goncourt, Prix Renaudot or Prix Femina) and by the popular success of the ...
"La Marseillaise" [a] is the national anthem of France. It was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by the First French Republic against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin ".
Etiquette (/ ˈ ɛ t i k ɛ t,-k ɪ t /) is the set of norms of personal behaviour in polite society, usually occurring in the form of an ethical code of the expected and accepted social behaviours that accord with the conventions and norms observed and practised by a society, a social class, or a social group.
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "French music history" The following 17 pages are in this category, out of ...
However, by the end of the 15th century, a French national character was becoming distinct in music of the French royal and aristocratic courts, as well as the major centers of church music. For the most part French composers of the time shunned the sombre colors of the Franco-Flemish style and strove for clarity of line and structure, and, in ...