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The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [1] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δÎρμα derma (skin). [2]
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
While it may not be necessary to conserve mounts or skins of commonly occurring animals beyond educational use, [4] some taxidermy mounts represent extinct or critically endangered species. The Smithsonian's National Museum of Natural History houses Martha, the last passenger pigeon and some collections still have Great Auk specimens, a bird ...
Taxidermy or elements of taxidermy are also used in branches of bio art. [6]: 12 Whole preserved animals or parts of animals, such as their skins, are sometimes used in this art. Bio art and traditional taxidermy can be seen as being in conflict based on artistic philosophies of authenticity and the purpose behind representation.
Morris would go on to author and publish the book Van Ingen & Van Ingen - Artists in Taxidermy in 2006 [3] which outlines the quality, complexity and history of what once was one of the world's largest taxidermy firms. The book also contains actual photocopies of the factory workbook records of the Van Ingen work flow.
Walter Potter (2 July 1835 – 21 May 1918) [1] [2] was an English taxidermist noted for his anthropomorphic dioramas featuring mounted animals mimicking human life, which he displayed at his museum in Bramber, Sussex, England.
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