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The Infant Bacchus, painting (c. 1505–1510) by Giovanni Bellini. Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
Cultist rites associated with the worship of the Greek god of wine, Dionysus (or Bacchus in Roman mythology), were characterized by maniacal dancing to the sound of loud music and crashing cymbals, in which the revelers, called Bacchantes, whirled, screamed, became drunk and incited one another to greater and greater ecstasy. The goal was to ...
Antinous holding the thyrsus while posed as Dionysus (Museo Pio-Clementino). In Ancient Greece a thyrsus (/ ˈ θ ɜː r s ə s /) or thyrsos (/ ˈ θ ɜːr s ɒ s /; Ancient Greek: θύρσος) was a wand or staff of giant fennel (Ferula communis) covered with ivy vines and leaves, sometimes wound with taeniae and topped with a pine cone, artichoke, fennel, or by a bunch of vine-leaves and ...
Bacchus e Ampelus (Uffizi, Florence) Ampelos (Ancient Greek: Ἂμπελος, lit. "Vine") or Ampelus was a personification of the grapevine and lover of Dionysus in Greek and Bacchus in Roman mythology. He was a satyr that either turned into a constellation or the grape vine, due to Dionysus.
Bacchus by Caravaggio. Introduced into Rome (c. 200 BC) from Magna Graecia or by way of Greek-influenced Etruria, the bacchanalia were held in secret and attended by women only, in the grove of Simila, near the Aventine Hill, on 16 and 17 March. Subsequently, admission to the rites were extended to men, and celebrations took place five times ...
In ancient Greek religion and mythology, the twelve Olympians are the major deities of the Greek pantheon, commonly considered to be Zeus, Poseidon, Hera, Demeter, Aphrodite, Athena, Artemis, Apollo, Ares, Hephaestus, Hermes, and either Hestia or Dionysus. [2] They were called Olympians because, according to tradition, they resided on Mount ...
In Greek mythology and religion, a gynomorph was a bi-gendered god with both masculine and feminine characteristics. Gynomorphs were portrayed as effeminate young males, like Dionysos, a masculine god who possessed distinctly feminine features. Gynomorphs retained the creative capacity of female divinities: they had cosmic wombs, but they also ...
Liber was closely, often interchangeably identified with Bacchus, Dionysus and their mythology but was not entirely subsumed by them; in the late Republican era, Cicero could insist on the "non-identity of Liber and Dionysus" and describe Liber and Libera as children of Ceres.