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Música criolla, Peruvian Creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
Huacas del Sol y de la Luna, located six kilometers south from Trujillo. Peruvian architecture is a conjunction of European styles exposed to the influence of indigenous imagery. Two of the most well-known examples of the Early Colonial period are the Cathedral of Cusco and the Church of Santa Clara of Cuzco.
In 2019, La República, one of the two major national newspapers in Peru, included "Fina estampa" on its list of the six best songs of Granda that have represented Peru around the world. [24] The magazine Caretas also included the song in its 2020 listing of Granda's five most emblematic songs.
Coro Exaudi de La Habana, dir. María Felicia Pérez, El Gran Barroco del Perú (Jade Music, 2000) Cusco Polyphonic Chorus, Christmas in Cuzco (Arion, 1999) Ensemble Elyma, dir. Gabriel Garrido, Hanacpachap: Latin-American Music at the Time of the Conquistadores (Pan Classics, 1991) Ensemble Villancico, dir. Peter Pontvik, A La Xácara!:
Granda's song "La flor de la canela" is considered the unofficial anthem of Lima, the Peruvian capital. At the height of its national and international popularity, the sounds of the 1950s and into the 1970s were introduced into the Vals Peruano by musicians and singers such as Lucha Reyes , Los Morochucos, Los Troveros Criollos , Fiesta Criolla ...
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Cueca—A pan-Andean compound 3/4-6/8 dance rhythm. Cumbia—A Colombian-in-origin 2/4 dance rhythm. Danza de tijeras—A dance from southern Peru. Danzantes de Levanto—A dance from the Amazonas region. Diablada—A 2/4 dance rhythm from southern Peru, Bolivia, and northern Chile. Morenada—A dance rhythm from western Bolivia, mainly La Paz.
Some of the Tradiciones peruanas have been translated into English under the title The Knights of the Cape and Thirty-seven Other Selections from the Tradiciones Peruanas of Ricardo Palma (ed. Harriet de Onís, 1945) and more recently under the title Peruvian Traditions (ed. Christopher Conway and trans. Helen Lane, Oxford University Press, 2004).