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The repeated use of oil paints adds to the three-dimensional effect, and the material that the paint protrudes on the canvas is like the protrusion of rocks and the splash of waves in reality. Claude Monet , The Rocks at Pourville, Low Tide. 1882, on view in the galleries at the Memorial Art Gallery , Rochester, NY
The Gulf Stream is an 1899 oil painting by the American artist Winslow Homer. [1] It shows a man in a small dismasted rudderless fishing boat struggling against the storm-tossed waves and perils of the sea, presumably near the Gulf Stream, and was the artist's statement on a theme that had interested him for more than a decade.
The waves splash against the high coast and flow down the rocks. The atmosphere of the storm and wrath of the sea is depicted with such power that the spectator can almost hear the crashing waves and the rolling thunder. On the left side of the foreground, you can see a boat with people trying to survive a shipwreck.
A contemporary critic described the painting: "It is painted in [Homer's] customary coarse and negligé style, but suggests with unmistakable force the life and motion of a breezy summer day off the coast. The fishing boat, bending to the wind, seems actually to cleave the waves. There is no truer or heartier work in the exhibition."
In The Great Wave off Kanagawa, Mount Fuji is depicted in blue with white highlights in a similar way to the wave in the foreground. [21] The dark colour surrounding the mountain appears to indicate the painting is set in the early morning, with the sun rising from the viewer's vantage point and beginning to illuminate the snowy peak.
La barca de Aqueronte, translated in English as The Boat of Charon [1] or Charon's Boat, [2] is an 1887 oil-on-canvas and allegorical painting [1] [2] by the Filipino painter Félix Resurrección Hidalgo. The work was a gold medalist during the Exposicion General de las Filipinas [1] (International Philippine Exposition) in Madrid. [3]
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