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During these periods, brickwork, stone, tile, stucco, and metal facades were designed with a focus on the use of new colors and patterns, while architects often looked for inspiration to historical examples ranging from Islamic tilework to English Victorian brick.
As a building material, stucco is a durable, attractive, and weather-resistant wall covering. It was traditionally used as both an interior and exterior finish applied in one or two thin layers directly over a solid masonry, brick, or stone surface. The finish coat usually contained an integral color and was typically textured for appearance.
Color choices may be based on paint research reports prepared for interior rooms or exteriors of comparable date and style. More often, though, current color values and taste are taken into account. Both interiors and exteriors of institutional buildings, such as university buildings, city halls, libraries, and churches often contain rich ...
Interior architecture is the design of a building or shelter from inside out, or the design of a new interior for a type of home that can be fixed. It can refer to the initial design and plan used for a building's interior, to that interior's later redesign made to accommodate a changed purpose, or to the significant revision of an original ...
A common example is one-coat stucco, which is a thick, synthetic stucco applied in a single layer (traditional stucco is applied in 3 layers). EIFS are proprietary systems of a particular EIFS manufacturer and consist of specific components. EIFS are not generic products made from common separate materials. The materials and installation ...
In religious architecture, the common design features were brick, stone-like stucco, and a single spire that tops the entrance. They can be seen in Saint Paul's Church (1761) in Mount Vernon, New York or Saint Paul's Chapel (1766) in New York, New York. The architects of this period were more influenced by the canons of Old World architecture.
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Barry's other major essays in this style are the townhouse Bridgewater House, London, (1847–57) and the country house Cliveden in Buckinghamshire, (1849–51). [4] After Charles Barry, the Palazzo style was adopted for different purposes, particularly banking. The Belfast Bank had its premises remodelled by Sir Charles Lanyon in 1845.
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