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Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles.Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another.
Pages in category "Indonesian traditional music groups" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. L.
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, [1] [2] [3] refers to the classical music of Iran (historically known as Persia). It consists of characteristics developed through the country's classical, medieval, and contemporary eras.
Afrikaans; العربية; Azərbaycanca; Беларуская; Български; Cymraeg; Deutsch; Eesti; Español; Estremeñu; Euskara; فارسی; Føroyskt ...
Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang , gandang, gambus, and violin. However, for traditional events such as weddings ...
In Indonesia, qasidah (Indonesian spelling: kasidah) refers broadly to Islamic music in general, rather than a specific style or poetry. Traditional qasidah was historically limited to Arab immigrant and pious Muslim neighbourhoods. Modern qasidah has broadened to include influence from Western and local Indonesian music.
Pencak silat is an umbrella term for a class of related Indonesian martial arts. Pantun + [a] 2020 01613: Pantun is a Malayic oral poetic form used to express intricate ideas and emotions. Gamelan: 2021 01607: Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of ...
Orkes Melayu singer Ellya Khadam switched to dangdut in the 1970s, and by 1972, she was the number-one artist in Indonesia. Her success, along with that of Rhoma Irama, meant that by 1975, 75 per cent of all recorded music in Indonesia was of the dangdut genre, with pop bands such as Koes Plus adopting the style. [citation needed]