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The contemporary music of Indonesia today is also popular amongst neighbouring countries, such as Malaysia, Singapore and Brunei. [2] In general, traditional music and songs of Indonesia compromises a strong beat and harmony with strong influence from Indian, Java, Arabic, Chinese and Malay classical music.
A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. Jamu wellness culture 2023 01972: Jamu is a traditional medicine. It is predominantly a herbal medicine made from natural materials, such as roots, bark, flowers, seeds, leaves and fruits.
Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang , gandang, gambus, and violin. However, for traditional events such as weddings ...
Persian music may refer to various types of the music of Persia/Iran or other Persian-speaking countries Look up Persia in Wiktionary, the free dictionary. Persian traditional music
Afrikaans; العربية; Azərbaycanca; Беларуская; Български; Cymraeg; Deutsch; Eesti; Español; Estremeñu; Euskara; فارسی; Føroyskt ...
The culture of Indonesia (Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences.With over 600 distinct ethnic groups, including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs, Indonesia is a melting pot of diversity.
Orkes Melayu singer Ellya Khadam switched to dangdut in the 1970s, and by 1972, she was the number-one artist in Indonesia. Her success, along with that of Rhoma Irama, meant that by 1975, 75 per cent of all recorded music in Indonesia was of the dangdut genre, with pop bands such as Koes Plus adopting the style. [citation needed]