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During the First World War, a woman doctor falls in love with one of her patients who turns out to be a German spy. She herself ends up working for German intelligence. A, D 1937 US Street of Shadows: Mademoiselle Docteur: G. W. Pabst: During the First World War, a woman doctor falls in love with one of her patients who turns out to be a German ...
30-foot (9.1-metre) granite cross, quarried from Haytor on Dartmoor, and hewn from a single stone—the largest Lutyens was able to acquire; situated outside and in line with the central axis of Exeter Cathedral. This is one of the 15 Lutyens War Cross designs. Edward and Tom Thynne headstones
These are depictions of diverse aspects of war in film and television, including but not limited to documentaries, TV mini-series, drama serials, and propaganda film.The list starts before World War I, followed by the Roaring Twenties, and then the Great Depression, which eventually saw the outbreak of World War II in 1939, which ended in 1945.
Anna Wagner Keichline (May 24, 1889 – February 5, 1943) was an American architect, inventor, suffragist, and World War I Special Agent from Pennsylvania.She was the first woman to be registered as an architect in Pennsylvania [1] and she was "one of the first women to actually practice architecture professionally". [2]
American films about World War I (1914-1918). Subcategories. This category has only the following subcategory. P. American World War I propaganda films (19 ...
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.. During the Italian Renaissance and with the demise of Gothic style, major efforts were made by architects such as Leon Battista Alberti, Sebastiano Serlio and Giacomo Barozzi da Vignola to revive the language of architecture of first and ...
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German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts.