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Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
Catholic art is art produced by or for members of the Catholic Church. This includes visual art (iconography), sculpture, decorative arts, applied arts, and architecture. In a broader sense, Catholic music and other art may be included as well. Expressions of art may or may not attempt to illustrate, supplement and portray in tangible form ...
Esther Newport, member of the Sisters of Providence of Saint Mary-of-the-Woods; founded the Catholic Art Association [756] Guido Nincheri, artist for Catholic churches in Canada; Pope Pius XI named him Knight-Commander of the Order of Saint-Sylvester [757] Erik Olson, Swedish convert; painted a triptych in 1977 for the Vatican Museum in Rome [758]
It is a variant of the Man of Sorrows (Imago Pietatis) type of andachtsbilder, but showing a Christ who is clearly dead (in Man of Sorrows images he tens to have his eyes open). Typically the half-length body of the dead Christ sits on a ledge, held up by smaller angels at each side. Christ is naked down to a loin-cloth and his wounds are visible.
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.
The globe symbolizing the whole world, the crescent moon and the starry crown above her head are traditional symbols of the "woman clothed with the sun" (Virgo in Sole) described in Revelation 12:1-2. The crescent moon itself is an ancient symbol of chastity deriving from the Roman goddess Diana. Just as the moon derives its light from the sun ...
There was an increasing interest in the remains of Rome's pagan past within the Catholic Church; scholars had turned from reading Mediaeval ecclesiastical Latin texts to classical Latin and the philosophies of the Classical world were studied along with the writings of St Augustine.