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It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
Piano: The Melody of a Young Girl's Heart (ピアノ Piano, stylized as PIANO) is an anime television series which aired from November 11, 2002 to January 13, 2003, and ran for 10 episodes. Three volumes were released on DVD by Right Stuf under their Nozomi Entertainment label in the North America as well as a complete collection in one ...
Forest of Piano, known in Japan as Piano no Mori: The Perfect World of Kai (ピアノの森 –The perfect world of KAI–), is a Japanese manga series written and illustrated by Makoto Isshiki. It was serialized by Kodansha from 1998 to 2015, initially in Young Magazine Uppers before transferring to Weekly Morning .
"Chopsticks" (original name "The Celebrated Chop Waltz") is a simple, widely known waltz for the piano.Written in 1877, it is the only published piece by the British composer Euphemia Allen (under the pen name Arthur de Lulli). [1]
The work is dedicated to the artist Valentine Hugo [1] [2] and was first performed by Poulenc's piano teacher, Ricardo Viñes. [3] From January 1918 to January 1921 Poulenc was a conscript in the French army, but his duties allowed him time for composition. [4] He wrote the pieces at the piano of the local elementary school at Saint-Martin-sur ...
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Phrygian Gates is a piano piece written by minimalist composer John Adams in 1977–1978. The piece, together with its smaller companion China Gates, written for the pianist Sarah Cahill, is considered by Adams to be his "opus one". [1] They are, according to his own claims, his first compositions consisting of a coherent personal style.
The piece has a simple A-B-A structure, in keys of C minor – A-flat major – C minor. Johnson call it a “perfectly balanced ternary piece” and continues: “the 6/8 meter arpeggiation of the main theme is the sort of thing that Beethoven might indeed have spun.” [4] David Truslove describes: “Momentum in the outer panels is twice interrupted by the arrival of two disquieting chords ...
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