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H.Q.s was a cut-and-paste-style zine that featured manifestos and dialogue about identifying as queer within the realms of the punk community. [6] Other zines that instigated this movement are Chainsaw (punk zine), Outpunk, and Homocore. The queercore zines influenced the Riot Grrrl zines of the late 1980s and 1990s, as well.
[1] [2] The zine's content was centred around anarchic queer-punk themes and heavily discussed queer-skewed punk music from the late 1980s. [3] The zine is widely regarded as being greatly influential in inciting the queercore movement of the 1990s, which created a community for queer youths who were ostracised from both the gay and punk ...
From the early 1980s to the late 1990s, Jones performed with the all-woman post-punk band Fifth Column, playing drums, guitar and background vocals, and was one of the co-founders of the group. [2] The band's first album, To Sir With Hate was released in 1985. [ 3 ]
This is a list of bands that are considered part of the second wave of punk rock, beginning in the mid- to late-1980s. A. AFI; Agent Orange ...
Slash was a punk rock-related fanzine published by Steve Samiof and Melanie Nissen in the United States from 1977 to 1980. The magazine was a large-format tabloid focused on the Los Angeles punk scene. [1] The fanzine also gave birth to Slash Records, an important punk record label.
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Capitol Crisis was a fanzine from the Washington, D.C. punk scene created by musician and disc jockey, Xyra Harper. [1] [2] [3] The zine published five issues from November 1980 to May 1981 and was part of the foundation for D.C.'s emerging punk music scene. [4]
A typical punk scene is made up of punk and hardcore bands, fans who attend concerts, protests, and other events, zine publishers, reviewers, and other writers, visual artists illustrating zines, and creating posters and album covers, show promoters, and people who work at music venues or independent record labels.