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Also known as miKro RG series, this model is a smaller scale guitar designed for smaller hands, with a 22 inch, 24-fret neck, based upon the RG neck. These models use a fixed through-body bridge. While normally provided with 2 pickups, a model was made available which replaced the neck pickup with an onboard 2.5 watt amplifier.
HD-28: Has scalloped braces, [7] said to give the guitar a more "open" sound than a D-28. Also features the herringbone (or "pre-war") top border and a zigzag, or "zipper" backstrip. [8] HD-28V: This variation resembles the original pre-war model and features both chrome butter-bean tuners and herringbone bindings around the aged-toned top.
The 24.75" scale mahogany neck joins the body at the 19th or 22nd fret. Early models had a smaller neck joint with a longer tenon. This neck design provided access above the 16th fret. Epiphone-made bolt-on neck models still use a 16th fret neck joint. [6] [note 1] The SG's set neck is shallower than the Gibson Les Paul's.
Until guitarist Jimmie Webster first popularized his Illustrated Touch System in 1952, [1] all guitars had been strummed. But with Webster's single-neck touch-style guitar and then Dave Bunker's headless, [2] [3] double-neck, DuoLectar touch guitar, these new instruments, while appearing similar to traditional strummed guitars, [4] actually employed an innovative tapping technique.
A model with a 4-string bass and a 6-string guitar neck was called the EBS-1250; it had a built-in fuzztone and was produced from 1962 to 1968 and again from 1977 to 1978. [ 4 ] In 1963, the solid-body EDS-1275 was designed, resembling the SG model ; this version of the doubleneck was available until 1968. [ 5 ]
The 325 was designed by Roger Rossmeisl, a guitar craftsman from a family of German instrument makers. Production models had a 20 + 3 ⁄ 4-inch (530 mm) short scale, dot fretboard inlays, and a small (12 + 3 ⁄ 4-inch-wide [320 mm]) body. The body is unbound, semi-hollow, with an angled sound hole, and boasts "crescent moon"-style cutaways.
[1]. The first wave of Hummingbirds came with a solid Sitka spruce top and solid mahogany back. The sides are mahogany, but not all of them are solid, many are laminated. They have adjustable rosewood or ceramic saddles, three-ply maple bridge plates, single X-bracing, engraved hummingbird-butterfly trumpet-flower pickguards with two points on the upper treble bout and one point level with the ...
The guitar's birth was first conceived on ruled note book paper by Nielsen during one of his frequent scribble sessions. He brought the idea to his manufacturer (Hamer Guitars) to build. The original design sought by Nielsen was a circular guitar allowing him to spin the guitar from neck to neck.