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Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles such as rock, urban, dance, Latin, and country. Below is a list of styles of pop music.
Repetitive songs contain a large proportion of repeated words or phrases. Simple repetitive songs are common in many cultures as widely spread as the Caribbean, [1] Southern India [2] and Finland. [3] The best-known examples are probably children's songs. Other repetitive songs are found, for instance, in African-American culture from the days ...
In traditional music, repetition is a device for creating recognizability, reproduction for the sake of the music notes of that specific line and the representing ego. In repetitive music, repetition does not refer to eros and the ego, but to the libido and to the death instinct." Repetitive music has also been linked with Lacanian jouissance.
Boogie – 1. a repetitive form of rhythm found in boogie-woogie. 2. a style of funk characterized by a mid-tempo post-disco rhythm, prominent use of slap bass, loud clapping sound, and its new wave melodic chords and synthesizers. Boogie rock – a style of blues rock that fuses rock music with boogie-woogie.
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
Songs such as "The Loco-Motion" were specifically written with the intention of creating a new dance and many more pop hits, such as "Mashed Potato Time" by Dee Dee Sharp, were written to cash in recent successful novelties. In the early 1970s, disco spawned a succession of dance fads including the Bump, the Hustle, and the Y.M.C.A.
In a jazz context, "waltz" signifies any piece of music in 3/4 time, whether intended for dancing or not. [5] Although there are early examples such as the "Missouri Waltz" by Dan and Harvey’s Jazz Band (1918) and the "Jug Band Waltz" or the "Mississippi Waltz" by the Memphis Jug Band (1928), they are exceptional, as almost all jazz before 1955 was in duple meter. [6]
Gavotte from J.S. Bach's French Suite No. 5. A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude.