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It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed Moonlight Sonata) is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" (Piano Sonata No. 13 in E-flat ...
Charles-Valentin Alkan composed two sets of four Impromptus, published as Op. 32 (No. 1 in 1848, and No. 2 in 1849). Franz Liszt composed an Impromptu in F sharp (sometimes called Nocturne) and a piano piece named Valse-Impromptu. Alexander Scriabin is known to have written at least nine impromptus for the piano in his early period.
Portrait by Anton Depauly, of Schubert at the end of his life. Franz Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first two pieces in the first set were published in the composer's lifetime as Op. 90; the second set was published posthumously as Op. 142 in 1839 (with a dedication added by the ...
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist.
The 19th century also saw a number of étude and study collections for instruments other than the piano. Guitarist composer Fernando Sor published his 12 Studies, op. 6 for guitar in London as early as 1815. These works all conform to the standard definition of 19th-century étude in that they are short compositions, each exploiting a single ...
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Although various composers in the 17th century had written keyboard pieces which they entitled "Sonata", it was only in the classical era, when the piano displaced the earlier harpsichord and sonata form rose to prominence as a principle of musical composition, that the term "piano sonata" acquired a definite meaning and a characteristic form.
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