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El Cuatro Puertorriqueño (1938): Guitar player above the swamp water. The workers' quarter of Puerto de Tierra. San Juan, Puerto Rico. Very little is known about the exact origin of the cuatro. However, most experts believe that the cuatro has existed on the island in one form or another for about 400 years.
The Puerto Rican Cuatro Project is a non-profit organization dedicated to fostering the traditions that surround the national instrument of Puerto Rico, by means of gathering, promoting and preserving its cultural memories of Puerto Rican musical traditions, folkloric stringed instruments and musicians.
A Puerto Rican Cuatro. The Puerto Rican cuatro is shaped more like a viola than a guitar, and is the most familiar [clarification needed] of the three instruments of the Puerto Rican orquesta jíbara (i.e., the cuatro, the tiple and the bordonua). The Puerto Rican cuatro has ten strings in five courses, tuned in fourths from low to high, with B ...
A cuatro is a Puerto Rican stringed instrument somewhat similar to a guitar but smaller in size. The Puerto Rican cuatro has five pairs of strings for a total of ten, and is different from the cuatro in other Latin American countries (for example, the Venezuelan cuatro actually has four strings).
The cuatro is a small, Spanish-derived guitar consisting of a wooden body and four strings. [18] The cuatro acts as an accent to the bass notes of the guitar, providing syncopation. [18] Variants of the cuatro, such as the Venezuelan cuatro and the Puerto Rican cuatro, are common throughout the Caribbean. [18]
Tomás Rivera Morales, [note 1] simply known as "Maso Rivera" (November 13, 1927 – February 4, 2001), was a Puerto Rican musician and a major exponent of Puerto Rico's Jíbaro music. Rivera composed over 1,000 instrumental compositions for the Cuatro, Puerto Rico's national instrument.
Christian Javier Nieves Maldonado was born at the Hospital del Maestro in San Juan, Puerto Rico. He was raised by his parents Modesto Nieves and Beatriz Maldonado in the neighborhood Cedro Abajo in Naranjito. His father, known as "El zurdo de Naranjito" (Naranjito's lefty) was a cuatro musician. It was in your home very young at the age of 3 ...
In 1991, Zayas was the leading soloist in the San Juan Pops Orchestra in the Center of Fine Arts. That same year, he offered a Cuatro concert in the International Festival of the Guitar at the University of Puerto Rico. And, was sent to represent Puerto Rico in Mexico at the International Cervantes Festival.
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