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The following is a list of Japanese-language poets. Poets are listed alphabetically by surname (or by a widely known name, such as a pen name, with multiple names for the same poet listed separately if both are notable). Small groups of poets and articles on families of poets are listed separately, below, as are haiku masters (also in the main ...
This is an alphabetical list of writers who are Japanese, or are famous for having written in the Japanese language.. Writers are listed by the native order of Japanese names—family name followed by given name—to ensure consistency, although some writers are known by their western-ordered name.
Pages in category "Japanese poets" The following 52 pages are in this category, out of 52 total. This list may not reflect recent changes. *
Classical court literature, which had been the focal point of Japanese literature up until this point, gradually disappeared. [ 13 ] [ 11 ] New genres such as renga , or linked verse, and Noh theater developed among the common people, [ 14 ] and setsuwa such as the Nihon Ryoiki were created by Buddhist priests for preaching.
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
The Man'yōshū is an anthology of Japanese waka poetry. It was compiled in the eighth century (during Japan's Nara period), likely in a number of stages by several people, [1] with the final touches likely being made by Ōtomo no Yakamochi, [1] the poet whose work is most prominently featured in the anthology. [2]
This is a non-diffusing parent category of Category:20th-century Japanese male writers and Category:20th-century Japanese women writers The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.