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Maya Angelou (/ ˈ æ n dʒ ə l oʊ / ⓘ AN-jə-loh; [1] [2] born Marguerite Annie Johnson; April 4, 1928 – May 28, 2014) was an American memoirist, poet, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning ...
Wouldn't Take Nothing for My Journey Now (1993) is Maya Angelou's first book of essays, published shortly after she recited her poem "On the Pulse of Morning" at the inauguration of US President Bill Clinton, [3] making her the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's 1961 inauguration. [4]
I Know Why the Caged Bird Sings is a 1969 autobiography describing the young and early years of American writer and poet Maya Angelou.The first in a seven-volume series, it is a coming-of-age story that illustrates how strength of character and a love of literature can help overcome racism and trauma.
Maya Angelou quotes about love “Love liberates. It doesn’t just hold, that’s ego. Love liberates.” ...
Mom & Me & Mom (2013) is the seventh of Maya Angelou's series of autobiographies.It was completed 11 years after the publication of her previous autobiography, A Song Flung Up to Heaven (2002), [note 1] and more than thirty years after she wrote her first autobiography, I Know Why the Caged Bird Sings (1969).
Angelou's autobiographies are distinct in style and narration, and "stretch over time and place", [2] from Arkansas to Africa and back to the US. They take place from the beginnings of World War II to the assassination of Martin Luther King Jr. [2] Angelou wrote collections of essays, including Wouldn't Take Nothing for My Journey Now (1993) and Even the Stars Look Lonesome (1997), which ...
Partly in tribute to the activist and poet laureate Maya Angelou, the 75-minute performance celebrates the transformative ability of Black women rising above expectations and turning adversity ...
Angelou reports that maintaining the distinction between herself and "the Maya character" is "damned difficult", but "very necessary". [3] Scholar Liliane Arensberg suggests that Angelou "retaliates for the tongue-tied child's helpless pain" by using her adult's irony and wit. [ 4 ]