Search results
Results from the WOW.Com Content Network
Second line parades are part of the cultural heritage of New Orleans. The locally best known second line parades are held by clubs and benevolent organizations. Some have long histories; the oldest such organization still holding regular parades is the Young Men Olympian Junior Benevolent Association, founded in 1884.
Willie Norman Sinegal (or Bill Sinigal; May 13, 1928 – April 14, 2014, New Orleans, Louisiana [1]) was an American rhythm and blues bass guitarist and songwriter from New Orleans. He is best known for his song Second Line. Sinegal played tenor saxophone and C melody saxophone. He studied double bass at the Grunewald School of Music.
"New Orleans Second Line" by Olympia Brass Band "New Orleans Shuffle" by Johnny Otis "New Orleans Song" by La Croix "New Orleans Stomp" by Louis Armstrong "New Orleans Street March" by Chris Farlowe, Brian Auger and Pete York "New Orleans Strut" by Cannonball Adderley "A New Orleans Suite" by Sheba Sound "New Orleans Twist" by Blazer Boy
Second line is a unique New Orleans parade where a jazz band accompanies the family of the deceased at the grave site with somber tunes. But once outside the cemetery, as the procession hits the streets, the band erupts into celebratory life-affirming music as the bereaved dance in celebration of the life of the deceased.
John Mooney (born April 3, 1955) is an American blues guitarist and singer based in New Orleans, Louisiana. [1] He has developed a unique music style by combining Delta blues [2] with the funky second line beat of New Orleans. [1] He is especially known for his slide guitar work.
Singer-songwriter Brittany "Britti" Guerin's debut release from Easy Eye Sound, "Hello, I'm Britti," arrived on Feb. 2.
At least two people were killed and 10 others were injured in two shootings during a popular New Orleans second-line parade on Sunday, according to the New Orleans Police Department.
The Second Line (1950–present) is the official magazine of the New Orleans Jazz Club. Formed in April 1950, the magazine is dedicated to jazz musicians, teachers, and enthusiasts who have attempted to preserve New Orleans jazz music from commercialization. [1] Its name is a reference to the practice of the second line.