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Reredos depicting the Immaculate Conception.Portuguese, 17th century. Santarém, Portugal. A reredos (/ ˈ r ɪər ˌ d ɒ s, ˈ r ɪər ɪ-, ˈ r ɛ r ɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church.
Many churches have an additional altar placed further forward in the church, as well as altars in chapels. The altar of a Catholic church may be made of stone, often marble. In most Protestant churches altars are of wood, symbolic of the table of the Last Supper rather than of a sacrificial altar, and may be called the Communion table. [34]
All Eastern Orthodox altars have a saint's relics embedded inside them, usually that of a martyr, placed at the time they are consecrated. Atop the altar table at the center toward the back is an ornate container usually called the tabernacle where the reserved Eucharistic elements are stored for communion of the sick. It is often shaped like a ...
Except in Solemn Mass, a priest celebrating Tridentine Mass remains at the altar the whole time after saying the Prayers at the Foot of the Altar. The rite of Dedication of a church and of the altar points out that the celebration of the Eucharist is "the principal and the most ancient part of the whole rite, because the celebration of the ...
Among the factors that determined how a church was designed and built are the nature of the local community, the location in city, town or village, whether the church was an abbey church, whether the church was a collegiate church, whether the church had the patronage of a bishop, whether the church had the ongoing patronage of a wealthy family ...
Detailed image of the central piece of altar. As in almost all cases of Cranach Post-Reformation altarpieces, there is also a great deal of Christocentric Lutheran symbolism, Christian allegory and Protestant theological concept of Five solas depicted in the Weimar altarpiece, with each image referring to salvation alone in Jesus, emphasizing the sacrifice of Jesus in Solus Christus.
When Martin Scorsese was a child growing up in New York City in the 1940s and 50s, he spent a few years serving as an altar boy at the Basilica of St. Patrick’s Old Cathedral, the Catholic ...
In the course of the Baroque re-design in 1705, it was "altered in a tasteless way", namely dismantled into parts to be re-installed in the church outside the altar area. The altar survived the city fire in 1719 undamaged. After the bombing of Schneeberg on April 19, 1945, the altarpiece was rescued from the already burning church by many ...
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