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The Sony FE 70-200mm F2.8 GM OSS is a premium, constant maximum aperture full-frame (FE) telephoto zoom lens for the Sony E-mount, announced by Sony on February 3, 2016. [ 1 ] [ 2 ] The 70-200mm f/2.8 lens is popular among event photographers and photojournalists where the lower light capabilities are required.
The Sony FE 200-600mm F5.6-6.3 G OSS is a premium, variable maximum aperture full-frame telephoto zoom lens for the Sony E-mount, announced by Sony on June 11, 2019. [1] [2]The Sony 200-600mm lens is currently the longest focal length native zoom lens offered for the Sony E-mount.
Xiaomi Mi 11 Ultra with periscope telephoto lens (rectangular opening below the two lenses). This is a list of smartphones with a telephoto lens that offers a focal length (35mm equivalent) of at least 100mm or "4× optical zoom" with an imaging area equivalent to a 1/3.5″ or larger sensor.
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The Sony FE 85mm F1.4 GM is a premium short telephoto full-frame prime lens for the Sony E-mount, released by Sony on February 3, 2016. [ 1 ] The lens is Sony's first native lens offering for the 85mm focal length.
Wide open the lens is rather soft but stopping down to f / 5.6 yields very sharp results. That way portraits shot wide open render soft with a very nice bokeh. [3]Distortion is very low and vignetting negligible, but the culprit of this lens is chromatic aberration which is very strong wide open and becomes acceptable only by stopping down towards f / 5.6.
The Sony FE 24-240mm F3.5-6.3 OSS is a variable maximum aperture full-frame (FE) superzoom lens for the Sony E-mount, announced by Sony on March 4, 2015. [ 1 ] [ 2 ] Though designed for Sony's full frame E-mount cameras, the lens can be used on Sony's APS-C E-mount camera bodies, with an equivalent full-frame field-of-view of 36-360mm.
In photography, stopping down refers to increasing the numerical f-stop number (for example, going from f / 2 to f / 4), which decreases the size (diameter) of the aperture of a lens, resulting in reducing the amount of light entering the iris of a lens. [1] [2]: 112 Reducing the aperture size increases the depth of field of the image.
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