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"William, It Was Really Nothing" is a song by the English rock band the Smiths. It was released as a single in August 1984, featuring the B-sides "Please, Please, Please, Let Me Get What I Want" and "How Soon Is Now?", and reached No. 17 in the UK Singles Chart.
The song was also covered by Seattle-based alternative rock band The Crying Spell on their debut album Through Hell to Heaven. [75] A new cover version by AG feat. Dresage (The Smiths) popped up in the season 4 trailer for the Netflix-series The Crown, bringing this song back to the spotlight after the success of t.A.T.u.'s version. [76] [77]
Johnny Marr wrote the music to "Please Please Please Let Me Get What I Want" shortly after its eventual A-side, "William, It Was Really Nothing".Marr commented, "Because that was such a fast, short, upbeat song, I wanted the B-side to be different, so I wrote 'Please Please Please Let Me Get What I Want' on Saturday in a different time signature—in a waltz time as a contrast". [5]
In their early years, the band purposely rejected synthesisers and dance music, [10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences. [11] The Queen Is Dead was notable for featuring harder-rocking songs with witty, satirical lyrics of British social mores, intellectualism and class. [12]
The song was first released on the group's 1987 album Strangeways, Here We Come. Marr's music features a larger sound, courtesy of a 12-string Gibson ES-335, and one of his few guitar solos with the Smiths. Morrissey's lyrics allude to alcohol and deception.
Music was the Academy Award-winning actor's career before the TV show "The Fresh Prince of Bel-Air" put him on the map for acting in the '90s. Smith rapped the sitcom's famous theme song.
Music critics consider "There Is a Light That Never Goes Out" to be one of the Smiths' finest songs. Simon Goddard wrote, "In a straw poll among Smiths fans today, 'There Is a Light That Never Goes Out' would more than likely still come out victorious", which he credits to the "perfect balance" of Marr's compositional skills and Morrissey's ...
Morrissey provided the lyrics for "Don't Blow Your Own Horn", the first song that they worked on; however, they decided against retaining the song, with Marr commenting that "neither of us liked it very much". [11] The next song that they worked on was "The Hand That Rocks the Cradle", which again was based on lyrics produced by Morrissey.