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In 1930, the company sold 600,000 radios, grossed $34 million, and was the leading radio maker in the country. By 1934, they had captured 30% of the domestic radio market. [10] A Philco 90 "cathedral" style radio from 1931. Philco radios were economical without sacrificing quality or durability.
Chrysler and Philco announced an all-transistor car radio in the April 28, 1955, edition of the Wall Street Journal. [1] This Philco car radio model was the first tubeless auto set in history to be developed and produced. [2] It was a $150 option for 1956 Chrysler and Imperial cars and hit the showroom floor on October 21, 1955. [3] [4] [5]
The early history of radio is the history of technology that produces and uses radio instruments that use radio waves. Within the timeline of radio, many people contributed theory and inventions in what became radio. Radio development began as "wireless telegraphy". Later radio history increasingly involves matters of broadcasting.
The term All American Five (abbreviated AA5) is a colloquial name for mass-produced, superheterodyne radio receivers that used five vacuum tubes in their design. These radio sets were designed to receive amplitude modulation (AM) broadcasts in the medium wave band, and were manufactured in the United States from the mid-1930s until the early 1960s.
Sylvania Electric Products Inc. was an American manufacturer of diverse electrical equipment, including at various times radio transceivers, vacuum tubes, semiconductors, and mainframe computers such as MOBIDIC. They were one of the companies involved in the development of the COBOL programming language.
It originally aired as an episode of The Philco Television Playhouse produced by Fred Coe and directed by Arthur Penn. [1] Elliott originally wrote the script for television but then adapted it for radio and sent it back to Harry Dearthin Australia.
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However, some very early (c. 1928–1931) radio programs were on sets of 12-inch or even 10-inch (25 cm) 78 rpm discs, and some later (circa 1960–1990) syndicated radio programs were distributed on 12-inch 33 + 1 ⁄ 3 rpm microgroove vinyl discs visually indistinguishable from ordinary records except by their label information.
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