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  2. Dying Slave - Wikipedia

    en.wikipedia.org/wiki/Dying_Slave

    The Dying Slave is a sculpture by the Italian Renaissance artist Michelangelo. Created between 1513 and 1516, it was to serve with another figure, the Rebellious Slave, at the tomb of Pope Julius II. [1] It is a marble figure 2.15 metres (7' 4") in height, and is exhibited at the Louvre, Paris.

  3. The Crucifixion of Saint Peter (Michelangelo) - Wikipedia

    en.wikipedia.org/wiki/The_Crucifixion_of_Saint...

    It is the last fresco executed by Michelangelo. The artist portrayed Saint Peter in the moment in which he was raised by the Roman soldiers to the cross. Michelangelo concentrated the attention on the depiction of pain and suffering. The faces of the people present are clearly distressed.

  4. List of works by Michelangelo - Wikipedia

    en.wikipedia.org/wiki/List_of_works_by_Michelangelo

    The following is a list of works of painting, sculpture and architecture by the Italian Renaissance artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry.

  5. Michelangelo – The Last Decades review: What a way for an ...

    www.aol.com/michelangelo-last-decades-review-way...

    Michelangelo, nonetheless, is one of the artists who gave rise to the notion of “late style”: the idea that the artist’s vision gets truer and more personal the older they get.

  6. The Creation of Adam - Wikipedia

    en.wikipedia.org/wiki/The_Creation_of_Adam

    The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3]

  7. The Last Judgment (Michelangelo) - Wikipedia

    en.wikipedia.org/wiki/The_Last_Judgment...

    Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...

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