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The Fulcrum grip is a four-mallet grip for vibraphone and marimba developed by vibraphonist and educator Ed Saindon. The aim of the grip is to use varying fulcrum positions and finger technique to achieve the control, speed, and power of a two-mallet grip while being able to use all four mallets.
Five mallets in use on a vibraphone In percussion , grip refers to the manner in which the player holds the sticks or mallets , whether drum sticks or other mallets. For some instruments, such as triangles and large gongs , only one mallet or beater is normally used, held either in one hand or in both hands for larger beaters.
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.
This group of instruments includes all keyboard percussion and mallet percussion instruments and nearly all melodic percussion instruments. Those three groups are themselves overlapping, having many instruments in common. Angklung [1] Celesta [2] Chime bar; Cup chime [3] Glockenspiel; Hand chime; Marimba; Metallophone; Piano; Steel pan; Tubular ...
The Burton grip is a method of holding two mallets in each hand in order to play a mallet percussion instrument, such as a marimba or a vibraphone, using four mallets at once. It was developed by jazz vibraphonist Gary Burton around the 1960s.
Mallet bag showing variety of mallets. A percussion mallet or beater is an object used to strike or beat a percussion instrument to produce its sound. The term beater is slightly more general. A mallet is normally held in the hand while a beater may be a foot or mechanically operated, for example in a bass drum pedal. The term drum stick is ...
Gary Burton (born January 23, 1943) [1] is an American jazz vibraphonist, composer, and educator.Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique.
Leigh Howard Stevens (born March 9, 1953, in Orange, New Jersey [1]) is a marimba artist best known for developing, codifying, and promoting the Stevens technique or Musser-Stevens grip, a method of independent four-mallet marimba performance based on the Musser grip.