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Andrea di Bartolo, Way to Calvary, c. 1400.The cluster of halos at the left are the Virgin Mary in front, with the Three Marys. Sebastiano del Piombo, about 1513–14. Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all ...
Pope John Paul II stated, "Each man, in his sufferings, can also become a sharer in the redemptive suffering of Christ". [2] (cf. Colossians 1:24) Like an indulgence, redemptive suffering does not gain the individual forgiveness for their sin; forgiveness results from God's grace, freely given through Christ, which cannot be earned. (see Romans ...
In bringing about the Redemption through suffering, Christ has also raised human suffering to the level of the Redemption. Thus each man, in his suffering, can also become a sharer in the redemptive suffering of Christ. [9] Those who share in Christ's sufferings have before their eyes the Paschal Mystery of the Cross and Resurrection, in which ...
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .
Often, Christ imagery is associated with a biblical passage or text. In this case, the background illustrates Matthew 8:23-27. [15] In this text, Christ reminds the disciples of their faith, even in moments of struggle and fear. This same narration is shown in Christ Carrying the Cross. Although the storm seems to be raging in the background in ...
The Protestant Reformation placed more emphasis on knowing Christ through scripture than by sharing his sufferings or through Holy Communion. [9] The concept of grace was at the center of Martin Luther 's theology, and he believed that the saving work of Christ was delivered through the Gospel, viewing the works and words of Christ as the path ...
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
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