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In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
The Harrowing of Hell was taught by theologians of the early church: St Melito of Sardis (died c. 180) in his Homily on the Passover and more explicitly in his Homily for Holy Saturday, Tertullian (A Treatise on the Soul, 55, though he himself disagrees with the idea), Hippolytus (Treatise on Christ and Anti-Christ), Origen (Against Celsus, 2: ...
The work is startling as the crucifixion, often seen by the Jewish people as a symbol of oppression, is instead being used to represent their suffering. [ 3 ] Many of Chagall's paintings could be described as lively, romantic, humorous, imaginative, and filled with brilliant colors, but the White Crucifixion is largely drained of color.
Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century.Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels.
"I want to know Christ — yes, to know the power of His resurrection and participation in His sufferings, becoming like Him in His death, and so, somehow, attaining to the resurrection from the dead" - Apostle Paul in Philippians 3:10-12. The Epistle to the Philippians has been the subject of much Christological research.
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative ...
The resurrection of Jesus (Biblical Greek: ἀνάστασις τοῦ Ἰησοῦ, romanized: anástasis toú Iēsoú) is the Christian event that God raised Jesus from the dead on the third day [note 1] after his crucifixion, starting – or restoring [web 1] [note 2] – his exalted life as Christ and Lord.
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