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Fanned-fret guitars have a multi-scale fingerboard because of "offset" frets; that is, frets that extend from the neck of the guitar at an angle. Ralph Novak (Novax Guitars) was the first to apply this idea to the electric guitar (1988). [2] The frets are arrayed on an angle, in contrast to the standard perpendicular arrangement of other guitars.
Fat frets make bending easier, and they change the feel of the guitar. As well, large frets, offering more metal, remain playable much longer than thin frets. A side effect of a thicker fret is a less precise note, since the string is held over a wider surface, causing a slight inaccuracy of pitch, which increases in significance as frets wear. [2]
The Kelly typically features the classic Jackson pointed head-stock. The neck is generally of a very thin profile, featuring a standard 24 jumbo frets, a neck-thru design and is generally quite extended from the body. These factors grant the Kelly a very high level of play-ability, especially in genres such as heavy metal.
In fret dressing, a luthier levels and polishes the frets, and crowns (carefully rounds and shapes) the ends and edges. Stainless steel guitar frets may never need dressing, because of the density of the material. [2] Not having frets carefully and properly aligned with the fingerboard can cause severe intonation issues and constant detuning.
ESP RZK-1 - A guitar specially for Richard Kruspe, lead guitarist of Rammstein. It has a platinum silver painting and the Rammstein logo on it. ESP Eclipse - features neck-thru construction in a 24.75" scale. The fingerboard features flag inlays with ESP at the 12th fret. It has 22 extra jumbo frets and a graphite nut. It comes in black and ...
The 24.75" scale mahogany neck joins the body at the 19th or 22nd fret. Early models had a smaller neck joint with a longer tenon. This neck design provided access above the 16th fret. Epiphone-made bolt-on neck models still use a 16th fret neck joint. [6] [note 1] The SG's set neck is shallower than the Gibson Les Paul's.
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