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B'. (6:1–28) – Daniel in the lions' den; A'. (7:1–28) – A vision of four world kingdoms replaced by a fifth; Daniel 1 serves as an introduction to the book, showing how God continues to move throughout history when men seem to have failed (i.e., how God stands for his people when they are in a foreign land and subject to an alien power ...
The passage includes three main components. The first is the penitential prayer of Daniel's friend Azariah (called Abednego in Babylonian, according to Daniel 1:6–7) while the three youths were in the fiery furnace. The second component is a brief account of a radiant figure who met them in the furnace yet who was unburned.
Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9]
C'. (5:1–31) – Daniel interprets the handwriting on the wall for Belshazzar; B'. (6:1–28) – Daniel in the lions' den; A'. (7:1–28) – A vision of four world kingdoms replaced by a fifth; The story of Daniel in the lions' den in chapter 6 is paired with the story of Shadrach, Meshach, and Abednego and the "fiery furnace" in Daniel 3 ...
Susanna and the Elders by Artemisia Gentileschi. Susanna (/ s u ˈ z æ n ə /; Hebrew: שׁוֹשַׁנָּה, Modern: Šōšanna, Tiberian: Šōšannā: "lily"), also called Susanna and the Elders, is a narrative included in the Book of Daniel (as chapter 13) by the Catholic Church, Oriental Orthodox Churches and Eastern Orthodox Churches.
The Book of Daniel is a 2nd century BC biblical apocalypse with a 6th century BC setting. [1] Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [2] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [1]
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