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Though individual examples of English free verse poetry surfaced before the 20th-century (parts of John Milton's Samson Agonistes or the majority of Walt Whitman's poetry, for example), [2] free verse is generally considered an early 20th century innovation of the late 19th-century French vers libre. [2] [4]
Alan Turing's biographer Andrew Hodges dates the creation of the love letter generator, also known as M.U.C., to the summer of 1952, when Strachey was working with Turing, although Gaboury dates its creation to 1953. [2]
Flyting can also be found in Arabic poetry in a popular form called naqā’iḍ, as well as the competitive verses of Japanese Haikai. Echoes of the genre continue into modern poetry. Hugh MacDiarmid's poem A Drunk Man Looks at the Thistle, for example, has many passages of flyting in which the poet's opponent is, in effect, the rest of humanity.
Prior to this event, the technique had been published in an issue of 391 in the poem by Tzara, dada manifesto on feeble love and bitter love under the sub-title, TO MAKE A DADAIST POEM. [5] [1] In the 1950s, painter and writer Brion Gysin more fully developed the cut-up method after accidentally rediscovering it.
In the book How to Rap, Big Daddy Kane and Myka 9 note that originally a freestyle was a spit on no particular subject – Big Daddy Kane said, "in the '80s, when we said we wrote a freestyle rap, that meant that it was a rhyme that you wrote that was free of style... it's basically a rhyme just bragging about yourself."
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag.
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. [1]
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