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Gzhel pottery was originally created by potters in their homes; however, fairly early on these potters started to organize into workshops to increase production. The workshops eventually became factories with pieces formed in moulds and potters being responsible for separate pieces, a specific style, or decoration.
Potters occasionally substituted manganese or iron oxide for cobalt oxide to produce brown, instead of blue, decorations on the pottery. In the last half of the 19th century, potters in New England and New York state began producing stoneware with elaborate figural designs such as deer, dogs, birds, houses, people, historical scenes and other ...
Aluminia was a Danish factory of faience or earthenware pottery, established in Copenhagen in 1863. Philip Schou (1838-1922) was the founding owner of the Aluminia factory in Christianshavn . In 1882, the owners of Aluminia purchased the Royal Copenhagen porcelain factory.
Some pieces are unmarked in all periods, and there appears to be some overlapping of marks; indeed some pieces have two different marks. There are also anchor marks in blue and brown, [12] and an extremely rare "crown and trident" mark in underglaze blue, known on only about 20 pieces, and thought to date from around 1749. A chipped beaker with ...
Wedgwood jasperware can often be dated by the style of potter's marks, although there are exceptions to the rules: Before 1860: Mark is "Wedgwood". Usually accompanied by other potter markings and a single letter. From 1860 to 1929: A three-letter mark represents in order, the month, the potter, and the year. The year code starts mid-alphabet ...
The Blue Onion pattern was designed by Johann Gregor Herold in 1739 likely inspired by a Chinese bowl from the Kangxi period. The pattern it was modelled after by Chinese porcelain painters, featured pomegranates unfamiliar in Saxony, so the plates and bowls produced in the Meissen factory in 1740 created their own style and feel.
A single Chelsea porcelain plate survives in the British Museum, which has a transfer-printed design and the "raised anchor" form of the Chelsea mark, indicating a date between 1750 and 1752. A Swiss enamel artist also records seeing printing being done at an unidentified factory near to (but different from) the Chelsea works, during a visit to ...
Dressler left the pottery in 1897 to establish his own pottery, the Medmenham Pottery, in Marlow, Buckinghamshire. [1] The Della Robbia mark is usually handwritten on the base of pieces with a ship device, and often the initials of the designer and decorator, and sometimes the date. Example initials include: 'C' for Charles Collis
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