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In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art.
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), [1] occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
"Against Interpretation" is Sontag's influential essay in Against Interpretation and Other Essays, which discusses the divisions between two different kinds of art criticism and theory: formalist interpretation and content-based interpretation. Sontag is strongly averse to what she considers to be contemporary interpretation, that is, an ...
Arthur Clive Heward Bell (16 September 1881 – 17 September 1964) [1] was an English art critic, associated with formalism and the Bloomsbury Group. He developed the art theory known as significant form.
Formalism (philosophy of mathematics), or mathematical formalism, that statements of mathematics and logic can be thought of as statements about the consequences of certain string manipulation rules. Formalism (art), that a work's artistic value is entirely determined by its form Formalism (music)
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Aesthetic, pragmatic, expressive, formalist, relativist, processional, imitation, ritual, cognition, mimetic, and postmodern theories, are some of the many theories to criticize and appreciate art. Art criticism and appreciation can be subjective based on personal preference toward aesthetics and form, or on the elements and principles of ...