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In 1984, Charvel made a limited run of around 100 guitars called Route 66 [citation needed], which consisted of a Fender Telecaster style body in black, red, or sunburst, and fitted with chrome or black hardware and dice as volume knobs. The flashy styling and high price ($1200) proved unpopular, and the basic style was later revived for Korean ...
The SST was offered in five finishes: natural, ebony, white, burgundy and cherry sunburst. It had mother of pearl inlays on the fretboard, headstock, and bridge and features gold plated hardware. Early models had an ornate headstock and a fake sound hole with the knobs mounted on the front of the guitar.
Bass tuners generally feature larger knobs than guitar tuners as well; often these are distinctively shaped, and known as "elephant ears". Gear ratios of 20:1 are used often. Exposed gears are much more common in premium bass guitars than in six-string non-bass instruments. The machine heads on a classical guitar.
The pickups are changed from the New York single coils to mini-humbuckers, knobs become gold gibson bonnet knobs, tuners become Grovers. Serial number now pressed into the back of the peghead between the D and G tuners, in addition to being on the blue Epiphone label in the bass "f" hole.
Back in 1969 I [Electro-Harmonix] was already selling the Muff Fuzz, which was a mild overdrive circuit in an LPB-1 box. I wanted to come out with a three knob distortion unit in a bigger box. I asked my buddy, Bell Labs designer, Bob Myer, to design a unit, one that would have a lot of sustain.
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