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Andy Leleisi’uao (b. 1969) is a New Zealand artist of Samoan heritage known for his modern and post-modern Pacific paintings and art. [1] He was paramount winner at the 26th annual Wallace Art Awards in 2017 and awarded a Senior Pacific Artist Award at the Arts Pasifika Awards in 2021.
Feu'u emigrated to New Zealand in 1966 after growing up in the village of Poutasi, Western Samoa. [2] He always wanted to be an artist and noted the difference of how art was viewed between Samoa and New Zealand, with 'beautifully made, functional canoes and houses' being art in Samoa and in New Zealand art was 'something extra special not to be touched'.
Mary Jewett Pritchard, 1944. Mary Jewett Pritchard (September 17, 1905 – June 6, 1992) was an American Samoan textile artist. Pritchard is widely credited with reviving the art of siapo, the Samoan version of tapa, handmade cloth created by pounding the bark of plants.
McMullin was born in Japan into a military family, and spent their toddler years in Germany, before moving to American Samoa as a young child where they were raised on Tutuila Island in the villages of Malaeloa and Leone [2] [3] They are of Samoan, Hawaiian, English and Jewish-Irish descent, their father was Samuelu Sailele McMullin of Leone Tutuila and their mother was Lupelele Iosefa ...
Samoa House, also known as Maota Samoa, is a building at 283 Karangahape Road in Auckland, New Zealand. The first fale (Samoan house) outside of Samoa, it was built using funds raised by the Samoa House Appeal Fund, and opened on 15 December 1978. [1] The Samoa House Appeal Fund was primarily made up of local Pacific community members. [2]
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The museum is located in Apia and is housed in the oldest building on the island, which is a former German colonial school. [1] The museum is funded by the Ministry of Education, Sports and Culture and is the only government-funded museum dedicated to Samoan culture.
Pisupo Lua Afe (Corned Beef 2000) is a pop art sculpture created by the New Zealand artist Michel Tuffery in 1994. It is the first in a series of tin animals, made from the packaging of foods common in Samoa. Addressing his Samoan heritage, neocolonialism and the distress of indigenous peoples in the Pacific, it is one of his most celebrated works.