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Pulp Fiction is a 1994 American independent crime film written and directed by Quentin Tarantino from a story he conceived with Roger Avary. [3] It tells four intertwining tales of crime and violence in Los Angeles.
Celebrating its 30th anniversary on Oct. 14, “Pulp Fiction” has left a massive footprint on moviemaking. Originally conceived as an anthology by writer-director Quentin Tarantino and his ...
Rhames first appeared on Broadway in the play The Boys of Winter in 1984. He started out in film in Wes Craven's The People Under the Stairs (1991) as Leroy, watched over Kevin Kline as Secret Service agent Duane Stevensen in Dave (1993), and played Marsellus Wallace in Pulp Fiction (1994).
Roger Roberts Avary [1] (born August 23, 1965) is a Canadian-American film director, screenwriter and producer. He is best known for his work with Quentin Tarantino on the script for Pulp Fiction (1994), for which they won Best Original Screenplay at the 67th Academy Awards.
Big Kahuna Burger is a fictional chain of Hawaiian-themed fast food restaurants that has appeared in films by Quentin Tarantino and Robert Rodriguez, including Death Proof, Four Rooms, Pulp Fiction, Reservoir Dogs, and From Dusk till Dawn. [2] The packaging was created by Tarantino's old friend Jerry Martinez. [3]
The song became popular again after the 1994 release of the film Pulp Fiction, directed and co-written by Quentin Tarantino. The music was played for a "Twist contest" in which Vincent Vega (John Travolta) and Mia Wallace (Uma Thurman) competed (and were the only contestants shown in the film).
For the scenes involving rear projection, the projected footage was shot prior to principal photography, then edited together, and projected onto the stage, behind the live actors. For example, when Mallory drives past a building and flames are projected onto the wall, this was shot live using footage projected onto the facade of a real ...
The plots of sexploitation films include pulp fiction elements such as killers, slavery, female domination, martial arts, the use of stylistic devices and dialogue associated with screwball comedies, love interests and flirtation akin to romance films, over-the-top direction, cheeky homages, fan-pleasing content and caricatures, and ...