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Asahiflex I with viewfinder closed. Cameras using the M37 lens mount. Ashiflex I (1952–1953); Asahiflex Ia (1953–1954) — also sold as the Tower 23; Asahiflex IIb (1954–1957) — also sold as the Tower 23
Media Pro was released in September 2011 and features support for larger catalogs, compatibility between Media Pro and Capture One, an updated user interface, support for XMP sidecar files and latest camera formats for photo and video files. [1] [17] As of August 30th, 2018, Phase One has stopped selling Media Pro and has discontinued the software.
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After several years of manufacturing darkroom equipment, in 1955 the company bought the rights to Kodak's Master View 4x5 camera, enabling Kodak to leave the view camera business. [6] In the 1960s, the company innovated the Caltar large format lens line, the C-2 roll film holder and the nitrogen burst film and print processors.
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B4-mount of Fujinon A13x4.5 lens B4-mount of Panasonic AK-HC1500G camera. The B4 lens mount was standardized in 1992 by the Broadcasting Technology Association (BTA) and is defined in BTA S-1005. [1]
An entry-level camera, exposure mode was program AE only, with a high-speed program option, no Creative Expansion Card support. An even more basic Maxxum, this camera was basically for the point-and-shoot user that wanted a system SLR camera with interchangeable lenses and more powerful flashes, but did not want the features on, or did not want to pay for the 5000i, 7000i, 8000i cameras.
Ritz Camera was the first chain photofinishers to offer 4×6 prints from 35mm film, as well as free bordered prints, as standard. Ritz Camera is also the first national chain to offer 4.5×6, commonly known as 6D, prints. Unlike the traditional 4×6 prints used for film, Ritz's 6D prints reflect the different aspect ratio of 4:3 digital images ...