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Section C: A forte march in octaves over an arpeggiated chord accompaniment. The key changes to A major. Section D: A piano continuous sixteenth note melody over a broken-chord accompaniment. This section is in the relative key, F ♯ minor. Section E: A forte scale-like theme followed by a modification of section D.
Turkish Rondo, or Rondo alla turca, the third movement from Wolfgang Amadeus Mozart's Piano Sonata No. 11, K. 331 (1783) Turkish March (Beethoven), from Ludwig van Beethoven's Six Variations, Op. 76 (1809), which he re-used as the fourth movement in the 1811 incidental music The Ruins of Athens, Op. 113.
The Turkish March (Marcia alla turca) is a classical march theme by Ludwig van Beethoven.It was written for the 1809 Six Variations, Op. 76, and in the Turkish style.Later, in 1811, Beethoven included the Turkish March in a play by August von Kotzebue called The Ruins of Athens (Op. 113), premiering in Budapest, Hungary, in 1812.
This symphonic march lasts approximately five minutes. It is a very conventional work by Ippolitov-Ivanov, and therefore, all harmonies and rhythms are conventional. He wrote this composition as a part of his own research for Turkish, Uzbek and Kazakh folk music in its later years, and two years after composing his Turkish Fragments, which, indeed, recreate the same atmosphere with Turkish ...
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public-domain music scores.
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It was officially adopted by the Grand National Assembly on 12 March 1921—two-and-a-half years before the 29 October 1923 establishment of the nation—both as a motivational musical saga for the troops fighting in the Turkish War of Independence, and as an aspirational anthem for a Republic that was yet to be established.
The Ruins of Athens (Die Ruinen von Athen), Op. 113, is a set of incidental music pieces written in 1811 by Ludwig van Beethoven.The music was written to accompany the play of the same name by August von Kotzebue, for the dedication of the new Deutsches Theater Pest [] in Pest, Hungary.
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