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Some professional audio stores also sell sound recording equipment, DJ equipment, lighting equipment used in nightclubs and concerts and video equipment used in events, such as video projectors and screens. Some professional audio stores rent "backline" equipment used in rock and pop shows, such as stage pianos and bass amplifiers. While ...
The studio quickly gained a reputation in the international recording industry with the unprecedented commercial success of their rap artists. [7] They garnered attention by producing iconic 1980s rap albums like Radio by LL Cool J in 1984–85, Raising Hell by Run-DMC in 1985–1986, Licensed to Ill by the Beastie Boys in 1986, and It Takes a Nation of Millions to Hold Us Back by Public Enemy ...
With the equipment and editing software and hardware it has, the recording studio offers studio time for any genre of music, from Rock to Hip Hop and voiceovers. [17] Over the years, the facility on Paterson Plank road has been renovated several times, and the business has grown from about $2000 of gear used by Gilles in his basement to record ...
Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. Hip hop production is the creation of hip hop music in a recording studio.
In hip hop, production often refers to performance of music, listed in the category Hip-hop musicians (and also Hip-hop production) Subcategories This category has the following 10 subcategories, out of 10 total.
Musical outboard equipment or outboard gear is used to process or alter a sound signal separately from functionality provided within a mixing console or a digital audio workstation. Outboard effects units can be used either during a live performance or in the recording studio.
It also provides studio space, equipment, and training for local residents interested in audio and video production. [7] WERA-LP went on the air at 6 p.m. on December 6, 2015. The station carried freeform programming typical of college and community radio, staffed by volunteer disc jockeys who played what they wished. [6]
During the 1970s, the "studio as instrument" concept shifted from the studio's recording space to the studio's control room, where electronic instruments could be plugged directly into the mixing console. [14] As of the 2010s, the "studio as instrument" idea remains ubiquitous in genres such as pop, hip-hop, and electronic music. [15]
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