Search results
Results from the WOW.Com Content Network
Cannonball Musical Instruments first began as a saxophone manufacturer. Cannonball saxophones in current production are student Alcazar, intermediate Sceptyr, and professional Big Bell Stone Series, Vintage Series, and Key Artist Series models, [4] are made in a variety of finishes including The Brute (aged brass), Raven (iced black), Mad Meg (bare brass), and Hotspur (iced black and iced silver).
The alto saxophone is pitched in the key of E ♭, smaller than the B ♭ tenor but larger than the B ♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz (such as big bands, jazz combos, swing music).
The Allmusic review by Richard S. Ginell awarded the album 3½ stars and states: "Cannonball was a populist at heart, and his generosity of spirit shines through this often deliciously diverse album, which ranges wildly from flat-out soul to Brazilian music to a cautious toedip into the avant-garde.... This is a fascinating contemporary ...
Albright plays a professional Big Bell Stone Signature Series model of saxophone made by Cannonball Musical Instruments.Of the two necks that are furnished with the Cannonball saxophones, he usually uses the "Fat Neck" with the octave vent tube on the bottom of the neck, a design similar to some vintage Conn 6M models.On mouthpieces, he uses a Beechler Diamond on alto with Silverstein Hexa ...
From 1955 to 1958, Miles Davis was leading what would come to be called his First Great Quintet.By 1958, the group consisted of John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums, [3] and had just been expanded to a sextet with the addition of Cannonball Adderley on alto saxophone.
"Mercy, Mercy, Mercy" is a jazz song written by Joe Zawinul (lyrics by Gail Fisher) in 1966 for Cannonball Adderley and which appears on his album Mercy, Mercy, Mercy! Live at "The Club" . The song is the title track of the album and became a surprise hit in February 1967. [ 1 ] "
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. [3] When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee [4] and in amateur gigs around the area.