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For its release as a single on record label Big Life, the Orb changed the title to "A Huge Ever Growing Pulsating Brain That Rules From the Centre of the Ultraworld". Upon the single's release, Riperton's management forced Big Life to remove the unlicensed Riperton sample, ensuring that only the initial first-week release of the single ...
Orboretum: The Orb Collection is the fourth compilation album by the Orb released on 8 November 2024 on Cooking Vinyl. [ 1 ] [ 2 ] In Alex Paterson 's words, the compilation is "a sort of director's cut, reframing our output, making new neuro pathways, and new juxtapositions."
The Orb's second studio album U.F.Orb was released in June 1992 and topped the United Kingdom albums chart. [6] The album's second single " Blue Room " – at a length of 39 minutes and 57 seconds – became the longest-running release to enter the UK Singles Chart, where it peaked at number eight.
The Orb's Adventures Beyond the Ultraworld is the debut studio album by English electronic music group the Orb, released as a double album on 2 April 1991 by Big Life.It is a segued, progressive and psychedelic trip which draws from various genres (including ambient, house, dub reggae, and hip hop) and incorporates a huge number of samples and sound effects.
Even during periods of label conflict and contractual limbo, the Orb found steady work remixing for artists including Depeche Mode, Lisa Stansfield, and Front 242. The Orb's remixes from the early and mid-1990s feature a large number of comical samples, Progressive-Sounds describe them as "ahead of their time" and NME notes them as "not ...
Little Fluffy Clouds" is a single released by the British ambient house group the Orb. It was originally released in November 1990 on the record label Big Life and peaked at number 87 on the UK Singles Chart. The Orb also included it on their 1991 double album The Orb's Adventures Beyond the Ultraworld.
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Baghdad Batteries (Orbsessions Volume III) is the ninth studio album released by ambient techno group the Orb in September 2009. The album sees Alex Paterson again working with Thomas Fehlmann , and it serves as a continuation of the style the two explored earlier on Okie Dokie It's the Orb on Kompakt .