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"The Wind" shows great inventiveness in its choice of metaphors and similes, while employing extreme metrical complexity. [9] It is one of the classic examples [10] [11] of the use of what has been called "a guessing game technique" [12] or "riddling", [13] a technique known in Welsh as dyfalu, comprising the stringing together of imaginative and hyperbolic similes and metaphors.
Older readers may understand the desire to look for arrowheads while out walking: to "hold one in my hand / I want to touch the tip of history."" [2] Rachel E. Schwedt and Janice DeLong in their book Young Adult Poetry said that "the simple language makes the poems accessible, while the astute reflections encourage an awareness of the ...
The poem begins with three sections describing the wind's effects upon earth, air, and ocean. In the last two sections, the poet speaks directly to the wind, asking for its power, to lift him up and make him its companion in its wanderings. The poem ends with an optimistic note which is that if winter days are here then spring is not very far.
As a reverdie, a poem celebrating springtime bird-song and flowers, "Lenten ys come with love to toune" bears a resemblance to French lyric poems, but its diction and alliteration are typically English, [20] drawing on an English tradition of earlier songs and dances which celebrate the coming of spring. [21] Examples of Middle English lyrics ...
The poem is based upon an actual experience of Brontë's. [7] A note stating "Composed in the Long-Plantation on a wild bright windy day", was written in Anne Brontë's hand at the bottom of the manuscript and the "Long-Plantation" was identified by Edward Chitham as a wood to the East of Kirby Hall toward the River Ouse, though there is no ...
"Spring" is a happily written poem with a hint of rhyme. Devoted to Blake's favorite things, each stanza describing a particular thing. The first stanza is about birds and a bush, the second a little boy and a little girl, and in the final stanza the lamb and "I". [ 3 ]
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The Hounds of Spring is a concert overture for concert band, written by the American composer Alfred Reed in 1980. [1] Reed was inspired by the poem Atalanta in Calydon [2] (1865) by Victorian era English poet Algernon Charles Swinburne, a recreation in modern English verse of an ancient Greek tragedy. According to Reed himself, the poem's ...