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Download as PDF; Printable version; In other projects ... out of 7 total. ... Ode to the West Wind; W. The Wind (poem) The Wind at Dawn; The Wind Blows (poem) The ...
The Hounds of Spring is a concert overture for concert band, written by the American composer Alfred Reed in 1980. [1] Reed was inspired by the poem Atalanta in Calydon [2] (1865) by Victorian era English poet Algernon Charles Swinburne, a recreation in modern English verse of an ancient Greek tragedy. According to Reed himself, the poem's ...
The poem begins with three sections describing the wind's effects upon earth, air, and ocean. In the last two sections, the poet speaks directly to the wind, asking for its power, to lift him up and make him its companion in its wanderings. The poem ends with an optimistic note which is that if winter days are here then spring is not very far.
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
"The Wind" shows great inventiveness in its choice of metaphors and similes, while employing extreme metrical complexity. [9] It is one of the classic examples [10] [11] of the use of what has been called "a guessing game technique" [12] or "riddling", [13] a technique known in Welsh as dyfalu, comprising the stringing together of imaginative and hyperbolic similes and metaphors.
As a reverdie, a poem celebrating springtime bird-song and flowers, "Lenten ys come with love to toune" bears a resemblance to French lyric poems, but its diction and alliteration are typically English, [20] drawing on an English tradition of earlier songs and dances which celebrate the coming of spring. [21]
The Wind Blows" is a short story by Katherine Mansfield. It was first published in the magazine Signature (4 October 1915) as “Autumns: II” under the pseudonym Matilda Berry. It was published in revised form in the Athenaeum on 27 August 1920, and subsequently reprinted in Bliss and Other Stories .
Spring and All is a hybrid work consisting of alternating sections of prose and free verse.It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it.