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Winifred Emma May (4 June 1907 – 28 August 1990) was a poet from the United Kingdom, best known for her work under the pen name Patience Strong. Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength.
A prominent genre was bijin-ga ("pictures of beauties"), which depicted most often courtesans and geisha at leisure, and promoted the entertainments of the pleasure districts. [ 3 ] Kitagawa Utamaro ( c. 1753 –1806) made his name in the 1790s with his bijin ōkubi-e ("large-headed pictures of beautiful women") portraits, focusing on the head ...
Phenomenal Woman: Four Poems Celebrating Women is a book of poems by Maya Angelou, published in 1995. [1] The poems in this short volume were published in Angelou's previous volumes of poetry. "Phenomenal Woman," "Still I Rise," and "Our Grandmothers" appeared in And Still I Rise (1978) and "Weekend Glory" appeared in Shaker, Why Don't You Sing ...
In the late 1800s and early 1900s, a new breed of women started to emerge from the depths of circus tents around the world: the strong-woman. These women quickly drew large crowds of circus lovers ...
Woman to Man (1949) is the second collection of poetry by Australian poet Judith Wright. [1] It won the Grace Leven Prize for Poetry in 1949. [2]The collection consists of 44 poems, some with their original publication in this book, and some of which were had been previously published in magazines such as Meanjin, Southerly and The Bulletin and various Australian poetry collections.
[4] In this, the man in the poem is trying to show his love to his rose tree, but only seems to have the love unrequited, even though he treats the rose tree like royalty. This echoes the idea of "Human Love" as we often want things we can't have, and become infatuated with things, or idealizing them instead of actually loving them.
The poem uses Poe's frequent theme of "the death of a beautiful woman," which he considered to be "the most poetical topic in the world."[3] The use of this theme has often been suggested to be autobiographical by Poe critics and biographers, stemming from the repeated loss of women throughout Poe's life, including his mother Eliza Poe and his foster mother Frances Allan. [4]
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