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The [immortals] Dark Girl and Plain Girl compared sexual activity as the intermingling of fire [yang/male] and water [yin/female], claiming that water and fire can kill people but can also regenerate their life, depending on whether or not they know the correct methods of sexual activity according to their nature.
One aspect of the traditional Chinese characters used in the case of Zhurong's name is that the character 融 is composed by combining the character 鬲 which refers to a ritual cauldron or tripodal vessel with three hollow legs, which is well known from archeological reports as a characteristic Chalcolithic (Late Neolithic/Early Bronze) Age feature encountered in archaeological sites in ...
The Chinese idea of the universal God is expressed in different ways. There are many names of God from the different sources of Chinese tradition. [17] The radical Chinese terms for the universal God are Tian (天) and Shangdi (上帝, "Highest Deity") or simply, Dì (帝, "Deity"). [18] [19] There is also the concept of Tàidì (太帝, "Great ...
The character nü (Chinese: 女; lit. 'female') is a common prefix on the names of goddesses. The proper name is wa, also read as gua (Chinese: 媧). The Chinese character is unique to this name. Birrell translates it as 'lovely', but notes that it "could be construed as 'frog '", which is consistent with her aquatic myth. [9]
In the Chinese common religion and philosophical schools the idea of the universal God has been expressed in a variety of names and representations, most notably as 天 (Tiān, "Heaven") and 上帝 (Shàngdì, "Highest Deity" or "Highest Emperor"). These two and other concepts have been variously combined, in diverse contexts, to form titles ...
Fuxi or Fu Hsi (伏羲) [a] [1] is a culture hero in Chinese mythology, credited along with his sister and wife Nüwa with creating humanity and the invention of music, [2] hunting, fishing, domestication, [3] and cooking, as well as the Cangjie system of writing Chinese characters around 2900 BC [4] or 2000 BC.
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
”The path that can be walked is not always the path; the name that can be named is not always the name.” (Literally: "Path can walk, not always path; Name can name, not always name.") 千里之行﹐始於足下。 Qian li zhi xing, shi yu zu xia. A journey of a thousand miles begins with a single step.