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As is the case with a vast majority of Rush songs, Peart wrote the lyrics for this song. In an interview, he explained that "Show Don't Tell" is an example of his trend from the album Grace Under Pressure onward from writing concepts and abstractions to a more concrete, first-person viewpoint, or as he noted when interviewed a perspective with a "stance and a good attitude". [6]
The song has not been released in any format since the initial 1973 Moon Records release. Allegedly only 500 copies of the single were pressed. [7] [8] [10] "Finding My Way" Rush: 1974 Drummer: John Rutsey "Need Some Love" Rush: 1974 Drummer: John Rutsey "Take a Friend" Rush: 1974 Drummer: John Rutsey "Here Again" Rush: 1974
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. [7] [8] The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).
[3] It plays in a D major key, though key changes into B major occur in certain parts of the song. Most of the song is played at a moderate tempo in a time signature of common time. However, the musical interlude between the second chorus and final verse is played in 5 4 time. [4] The song features prominent keyboard parts played by Geddy Lee.
AllMusic described the song as being "straightforward". [7] Classic Rock Review thought that the song had a "decent overall sound" and a "very entertaining middle part". [8]In a 1994 interview with Modern Drummer Magazine, the band's drummer, Neil Peart, said about the song: "I used a basic R&B rhythm that I played back in my early days, coupled with that hypnotic effect that a lot of the ...
The song's lyrics were written by Neil Peart with music written by Geddy Lee and Alex Lifeson. "Limelight" expresses Peart's discomfort with Rush's success and the resulting attention from the public. The song paraphrases the opening lines of the "All the world's a stage" speech from William Shakespeare's play As You Like It.
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Test for Echo was the first time Rush worked with American engineers and mixers, having only worked with English or Australian personnel before. [10] They chose the recording engineer Clif Norrell, a longtime fan of the band who once performed Rush cover songs in his own group. [9]